en Cuevana. A young man travels around in a truck while turning an 8mm camera. In his hometown in Kansai, he meets a high school girl. The film tells the story of the moratorium of youth through the connection of seemingly unrelated episodes between the young man and the girl. A truck driving through the city, a teacher from high school, an exchange with the girl. The film is full of transparency, with a conscious interplay between black and white and colour, as if it were a mental picture of the young man himself. In the last scene, the girl turns the 8mm camera on herself, and her face, enveloped in light, is refreshing.
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