en Cuevana. Kearra Amaya Gopee’s docu-fictional short Ca(r)milla considers the revisionist potential that lies within folkloric myth. For Gopee, myth is a storytelling mechanism teeming with possibility––it’s an oratory approach that invites us to reimagine our histories and rewrite our lineages in the face of coloniality. In Ca(r)milla, Gopee annotates the parable of the soucouyant, a blood-craving, vampiric figure typically rendered as an undesirable older woman in Trinidadian legends. https://thekitchen.org/on-screen/ca-r-milla/
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