en Cuevana. We literally found our film next to a dumpster. It was a bag containing 36 rolls of photographic negatives exposed between the 1960s and 1980s by an unknown photographer. We named him Anton, Aunt Emma's son. Looking through our contact sheets, with their many inaccuracies—blurred edges, random elements in the frame, haze, accidents, and double exposures—we tried to imagine what our lives would be like if these were our photos.
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