en Cuevana. In Independence, Hassan makes his interviewees uncomfortable; but in Invasion, he makes his audience squirm in their seats as well. This isn’t accomplished through gory footage (although a close-up on a gunshot wound in a 77-year-old man’s hand certainly qualifies), but because of his interview with an Israeli soldier who bulldozed homes in Jenin. “We entered at night,” the soldier says, just as Hassan cuts to footage of young boys playing on the gate of a home in Jenin like a jungle gym.
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