en Cuevana. Steve Dalachinsky, with the aid of Yuko Otomo and cinematographer Andrew Lampert, was given the chance to direct his dream film. This is not that, but rather the result of what they shot that day presented in real time as they filmed it. In the end, this is always what Lampert wanted the film to be; what Steve wanted is another story heard on the soundtrack of the images gathered within.
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