en Cuevana. The project originated during a workshop in La Rochelle, where a group of women "took possession" of the film to create a work where the camera could be used by each participant at her own discretion, guided by her own "desiring" gaze. According to Fréderique Gros, this "lived wandering" was later reshaped during editing to try and articulate the transition between the internal and external worlds.
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