en Cuevana. Dragica does not lack for work. The house and cattle in western Serbia demand toil from dawn to dusk. She milks, harvests, prepares porridge for her handicapped daughter. Her own mother recently passed away. Now Dragica wears black and shaves her old father. Can there be an alternative to this daily self-sacrifice? Almost casually, Isaac Knights-Washbourn leaves space for such reflections: While chopping tomatoes, the woman opens up to a guest from town.
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