en Cuevana. This film is to be projected at silent speed: 18 frames per second. Although "Marginalia" has no story, it reflects my concern with the feel of society at a time of ecological stress and cultural change. As usual, I have super-impositions which were shot in-camera as well as abrasions on the film surface which reflect the cursive waves of marginal notation and, also, situates hand-writing as a vanishing form of communication.
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