en Cuevana. The film explores the critical stance of ‘folklore’ as a source of knowledge and its possible connection to alternative social and representational models in Palestine. Images of women performing draw connections between latent stories of water wells and communal rituals associated with disappearance, mourning and death. The only narration in the film is a song, which is sung by Palestinian singer Maya Khaldi. Its lyrics are a collage of different folk tales.
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