en Cuevana. The Broke People's Baroque Peoples' Theater engages questions of economic inequity, artistic patronage, and a culture of excess (or excess of culture). It is: obsessed with classical allusion, doomed to camp, adorned in costume, engaged in masquerade and surrounded by sculpture. With a queer attitude toward cheap materials, the Broke People's Baroque People's Theater decorates itself in a hyper-feminine aestheticism to undermine class(y) distinctions of taste. A wealth of poverty, the chintzy is rich.
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