en Cuevana. Structuring this intimate and insightful portrait of Lynda Myles, academic Susan Kemp invokes a form known to define, criticise, and shift paradigms in culture – the manifesto. Meshing archival material with interview subjects including Jim Hickey and B. Ruby Rich, Kemp employs a series of provocations to tease out the philosophy behind a lifetime of ground-breaking film work. In the film's central conversation, Myles beautifully expresses the thrill of putting on a show (including the 1972 Women's Event, pioneering retrospectives of Douglas Sirk, Sam Fuller and Raoul Walsh and many more) while always avoiding the polite.
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