en Cuevana. In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.
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